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The hyperreality in which we live is achieving increasingly advanced degrees. Now that the network has become a digital simulation of our real relations, displacement begins to change direction and are our real relationships that begin to imitate a network. That is, in essence, which is involved in the experience with friends Trash, which I enjoyed for the first time Saturday night at the movies Palafox of Madrid. There Lardín Ruben, Raúl Minchinela , Absence and Nacho Vigalondo -commented-ridiculed in public screening of the film vs. Dinocrocs. Supergator, on which the best I can say is nothing.

On the performance of the four mentioned, however, say that I find myself. It is not easy to improvise jokes about a mess for an hour and a half, even in the privacy of your own room, and certainly not all instances you may have are brilliant. But the amount of postpartum that inspired released Saturday night I found truly amazing, and the ability to speak articulately in public without a script before the four friends is admirable in an age in which we increasingly stammering monosyllable resigned in the face of common assumptions. Do you think I'm exaggerating? Have you heard politicians, sports reporters, college professors?

Bottom line: let me carried by the atmosphere, I laughed heartily and enjoyed the session. I appreciate this gift good vibes free.

reproduced whole concept, as I say, the schemes of a social network, but developed live. The title ahead of two key concepts: trash, rubbish, which refers to the subdivision in which fall the films chosen for this activity, but also refers, in the second instance, the type of communication and information that normally is generated in Web 2.0, and "friends", which is increasingly nebulous term that describe those who become part of our cybersphere social. Ie assume that your Facebook contacts are "friends", right? In TEA, quartet (true) friends protagonists branches in a indeterminate mass (virtual) friends who attended the call, with varying degrees of friendship respect to the jurors. In my case, for example, and not think it was the only one, very thin in terms of what we would consider personal relationship, but as the nearest internet friendship. There "we are all friends," although we do not know, and that level of friendship promoted by the network is the prerequisite to sit around and enjoy nuclear Friends of their performance.

Although

Trash with friends is proposed as an open and collective activity, first and unequivocally, by its proponents, in fact works much like Twitter tends to work: there are some leaders, to take the lead, and others are the followers . Thank laugh, the comment with whom we sat next to (our immediate contact), and occasionally an anonymous voice, devoid of both microphone and almost lost, stuck in the wake of the leading voices, speaks with a comment to make chorus or reply to the keynote address. If we get, it is often a RT: bounced from elsewhere.

In the darkness of the room, it is easier to feel that we are participating in a simulation theater twitter: we do not see faces, do not distinguish people who are with us, we only know they are there for physical presence which imposes its number, by bandwidth of oxygen-consuming, just know that we all follow the same theme, we are all seated and attentive to the screen, we only need to have a keyboard under your fingers. But if we did, then it would not have left home, right? Then we would not be doing a simulation of a simulation, we would be alone in the previous stage and primitive (as year 2000) of the simple model.

Social Applications marked with the model are social networks, and now social networks that are shaping our social practices. We are entering a new era where we feel more comfortable acting as avatars in the flesh of our digital avatars, which are the true personalities. We as modern ...